Report
The Current State of Chinese Contemporary Art
Date: 2023-10-25
Report
Date: 2023-10-25
The early days of Chinese Contemporary Art, marked by the '85 New Wave' movement, were characterised by a fervent desire for artistic experimentation and freedom of expression. Artists began to break away from the constraints of the state-sanctioned Socialist Realism, engaging in avant-garde practices, reflecting upon their personal identities, and questioning societal norms. However, the Tiananmen Square incident in 1989 brought about significant state crackdowns, pushing many artists into the underground or overseas.
The now infamous China/Avant-Garde Exhibition captured this turning point. The China/Avant-Garde Exhibition in February 1989 at the National Art Museum of China was a landmark event in contemporary Chinese art. It showcased over 300 works by nearly 200 artists, including performance art and installations that challenged traditional norms. Controversy arose when artist Xiao Lu fired gunshots at her own installation. It is seen as a precursor to the rise of Chinese contemporary art, highlighting the country's complex relationship with modernity, tradition, and political expression.
The turn of the millennium saw China's rapid economic growth and its increasing integration with the global community. This period witnessed a transformation in the artistic landscape as well. Art districts such as Beijing’s 798 and Shanghai's M50 emerged as hotspots of creativity. Artists began to explore a diverse range of mediums, from painting and sculpture to performance and digital art.
Yu Hong, 2001, Yu Hong, thirty-five years old; 2001 Liu Wa, seven years old, 2001, Acrylic on canvas.
One of the defining features of the contemporary scene is its reflection on rapid urbanisation and its consequences. Artists delve into topics such as displacement, identity, and, like Chengan Xia, the tension between traditional values and modernity. The impact of globalisation has led Chinese artists to adopt a more cosmopolitan outlook, drawing influences from Western art practices while simultaneously critiquing them.
However, it's also essential to understand the dichotomies within Chinese Contemporary Art. While many artists enjoy global acclaim and participate in international art fairs and exhibitions, there is also an undercurrent of censorship and state control. This duality often results in artworks that are layered, allegorical, and, by necessity, subtly critical. Again, a description that Xia’s practice shares much in common with. The landscape of Chinese Contemporary Art is both rich and complex, mirroring the nation's tumultuous journey from tradition to modernity. While it stands tall on the global stage, its roots lie deeply embedded in its unique cultural and historical experiences.